| Basic training for Image and Fashion Stylists will cover | | | | session? You can see how it will be helpful to have |
| the requirements needed for you to get hired in this | | | | an idea of how the hair will work with this. |
| field. Is there anything else you should know? | | | | You can also play around with different textures. If |
| What other types of education will be useful to you | | | | the model's tresses are going to be silky and blown |
| if you choose this vocation? | | | | out, maybe you want to dress her in satin or silk. |
| Make-Up | | | | Having some knowledge of current styling fads will |
| If you are preparing for a job in this profession, it | | | | give your work more direction. |
| won't hurt to learn about make-up styling as well. | | | | Modeling, Acting & Production |
| You will only be in charge of clothing, jewelry, and | | | | It has been said that every great director has taken |
| things like that, but these items will have to work | | | | an acting class. After all, how can you direct an |
| well with the cosmetics being worn. Here are some | | | | actor is you have no information about their craft? |
| things to consider. | | | | The same is true with fashion imaging. |
| Learn about trends in make-up. Are wild Lady Ga | | | | Even though you are not going to become a |
| Ga-esque eye shadow designs in? If so the | | | | professional model, you should learn about modeling. |
| ensemble you pick should certainly reflect that same | | | | Understanding how they stand and move their bodies |
| energy. | | | | to show off their attire will assist you in dressing |
| Is the model, actor or actress wearing any make-up | | | | them. |
| at all? If not, your choices should be more natural, | | | | You can take an acting class and a film production |
| subtle and effortless. You don't want to clothe your | | | | class if you are planning on working in movies. Get a |
| subject in an elaborate outfit and flashing earrings if | | | | sense for the acting process. Get some information |
| their face is going to be plain. | | | | about how stunts work. Gain insight into special |
| As you look at the work of others, look at the | | | | effects. In some situations these can become |
| head-to-toe packaging. Open up your field of vision | | | | relevant to styling. |
| to include anything that might work with or against | | | | If you can find a great Image and Fashion Stylists |
| your creativeness. Adjust your vision accordingly. | | | | program that covers all of the above, perfect! If |
| Hair | | | | not, taking one or two extra classes should be |
| As with make-up, knowing the latest hair coifing | | | | enough. You can also attend conferences on hair, |
| techniques may be helpful to you. This forethought | | | | make-up, modeling, etc. |
| will prepare you for the unexpected. In addition to | | | | Upgrade your knowledge periodically. Subscribing to |
| the basic training of Image and Fashion Stylists, a | | | | a magazine relating to these areas is a great way to |
| class in hair design is recommended. | | | | do this. Stay in touch with every aspect of your |
| Long synthetic hair is all the rage right now. What if | | | | profession, it will make your job easier. |
| you have a backless blouse in mind for the photo | | | | |